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Basquiat at Tony Shafrazi gallery 1996
Basquiat at Tony Shafrazi gallery 1996
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Basquiat Dust Heads announcement folding card
- Media: Folded Card
- Material: Card
- Rarity: Limited edition of unknown size
- Dimensions: 18cm x 16cm (7 1/2 × 6 1/4 inches)
Dustheads is a 1982 painting that sold for $48.8 million at Christies, which at the time was a record high for a Basquiat painting sold at auction. It depicts two drug addicts on angel dust as frenetic radiant characters immersed in black backdrop. The painting was previously in the collection of Tiqui Atencio, who purchased it from art dealer Tony shafrazi in 1996.
Jean-Michel Basquiat's 1996 exhibition at the Tony Shafrazi Gallery was another significant posthumous retrospective that helped further establish his enduring legacy. Held eight years after his death in 1988, this exhibition played a crucial role in reevaluating and celebrating his work.
Why It Was Important:
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Continued Posthumous Recognition – Following the success of the 1993 Tony Shafrazi Gallery exhibition, the 1996 show reaffirmed Basquiat’s position as one of the most influential artists of his generation. It highlighted the lasting impact of his work on contemporary art, culture, and the art market.
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Major Retrospective of His Work – The exhibition featured a wide selection of Basquiat’s paintings, drawings, and mixed-media works, showcasing his signature text-based elements, anatomical sketches, crown motifs, and powerful critiques of race and power structures.
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Institutional and Market Validation – By 1996, Basquiat’s market value had continued to rise, and the show contributed to the growing interest in collecting and studying his work. His reputation had shifted from being an artist of the 1980s scene to a timeless cultural icon.
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Tony Shafrazi’s Continued Role in His Legacy – As a gallery owner who had supported Basquiat during his lifetime, Shafrazi played a key role in keeping his work in the public eye. This exhibition reinforced Basquiat’s connection to New York’s downtown art scene, which had been instrumental in his rise.
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Influence on Contemporary Art – By the mid-1990s, Basquiat’s influence was becoming more evident in the works of new artists and movements, including street art, hip-hop culture, and fashion. The 1996 exhibition helped frame him as a precursor to many of these trends.
Conclusion
The 1996 Tony Shafrazi exhibition was another pivotal moment in the posthumous rise of Jean-Michel Basquiat. It ensured that his work remained relevant in the contemporary art world and helped solidify his reputation as one of the most important artists of the late 20th century.
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